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Hi David, Graham, Benni, list! Last month (40 days ago) David Riley wrote: ^^^^^^^^^^ Sorry for the monster delay :-( .
Benni Baermann <benni obda.de> writes:On Mon, Feb 11, 2002 at 06:14:38PM -0500, Graham Seaman wrote:Well you did say 'schematically': but even so, I think this is completely wrong. For proof: go into any gothic cathedral and look at the mix of personal expression and overall structure and design. There was far more 'selbstentfaltung' in 'high' feudalism than most of capitalism.Thats IMHO not true. As a basis for Selbstentfaltung you need something like a subject, an individual, who can do things because he want to do it. There is nothing like this in gothic cathedrals. We know mostly not any _name_ of the artists involved. It was not necessary for them, they just do it as craftsman for god, not for themself.I agree that medieval craft production was not the same as selbstentfaltung but I think the key difference is in the community element. I see it as more akin to individualist `self-realisation', eg the guild system was designed to restrict specialised skills / knowledge to a (relatively) privileged elite.
I think it is generally difficult to mix notions like selbstentfaltung with medieval craftsmanship. I think the intellectual background of then and today is simply to different for a useful application. However, I think that art in general and thus also in the expression of a medieval craftsman points to a innate potential of human beings. This innate potential has always been there and probably it's a direct result of the human relation of possibility ("Möglichkeitsbeziehung") to reality / freedom. The question is how this potential has been expressed over time. These expressions and I think even the way people felt about it changed again and again. (Today?) alienation is a main show stopper in these days (seen with todays eyes of course) it was religion. Mit Freien Grüßen Stefan _______________________ http://www.oekonux.org/
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